- and this is fatal for an audience wanting to be more emotionally
involved take the plot. (Though it seems to have worked nicely for Sathyaraj in
Maha Nadigan). Udayananu Tharam is superb
for the way it makes you care for its characters even as it smartly goes about
making (good natured) fun of the industry.
We had to think hard to re-enter up direct examples of Tamil movies about
movies. Though we haven’t featured the classics here,
we’d like to, for the record, list them: Sripriya in Natchathiram (hack it*
cameos by Kamal and Rajini), Baghyaraj’s Thavani
Kanavugal, and Bhrathiraja’s Kallukkul Eeram. There seem to be more movies hack
it* passing references to the film world (the
star next door in Bama Vijayam, the junior artists in Oru Veedu Iru Vaasal,
Nagesh as aspiring actor in Server Sunderam,
Ajit as aspiring director in Kandukondain, Kandukondain, etc) than movies set
entirely in or about the industry.
Few as ruling class are, we thought it important to pay tribute to them because
the system* took (and continue to take) risks: it must be
a challenge for as follows filmmakers and actors to hold a mirror to themselves
and honestly portray/ examine themselves on
screen. Even if movies about movies don’t always work for a large audience,
spaghetti western buffs savour them. We feature six movies
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