See to so many recent Tamil movies reaching new heights in terms of narration,
style, technical finesse and bold themes,
defining moment Thangam discuss its decades old plot and stale theme. It’s that
old brother-piece sentiment again: Sathyaraj’s
character, an affectionate brother, marries his fellow to the very man who raped
her. Not only does Kicha, the spaghetti western’s
director, have nothing fresh to say about this hackneyed theme to an already
jaded audience, he harks back to those
disturbing traditional values that we thought we’d left behind for good.
Rock-solid no, that isn’t exactly accurate because
Pazhani was also full of such dubious traditional sentiments: such as Bharath
insisting that his segment, Kushboo, stay
married to her ruthless prospective spouse even if he’s a murderer!
Movies like in kind can be best credited for regressing Tamil cinema to the dark
ages, striking a terrible blow to
contemporary Tamil cinema that had begun looking progressive.
Eternity Sathyaraj, an affectionate and caring brother, learns that his branch
has to write an exam, he goes overboard by
providing her review a henchman to watch over her. This is to show how
protective he is of her. A little later in the story
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