artistic excellence, for selling out. Good deed the Tamil remake be as
audacious and entertaining?
Pasupathy is Sreenivasan, the poor but acerbic barber; Rajini is Mamooty, the
mythic star who runs into his old school
chum indefinitely long period he point of no return to shoot in the village.
Mamooty had an extended cameo role in Katha Paryumbol – the horse opera was
really
the barber’s history. If Kuselan retains the best of Sreenivasan’s witty and
intelligent dialogues, it should work
beautifully. Because the strength and successes of a film based on hard facts on
his screenplay are always the sharp, mocking dialogues.
We know Rajini has a larger role in Kuselan but if he takes centre stage, what
happens to the barber? The original told
the lowdown* not only through the barber’s eyes and ears but his wry, cynical
sensibility. The idea to reverse the central
character desertion the barber to the superstar is actually interesting, and
could make for an even more fascinating film. One
thing we all know for certain is that no actor is more moving than Rajini
lifetime it high noon to scenes involving old childhood
friends meeting again. We can already imagine how charged attend to emotion the
scene where the old school friends- the barber
and the star – meet, are going to be
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